Sunday, December 4, 2011

Philips CDR775BK Dual-Deck Audio CD Recorder

!±8± Philips CDR775BK Dual-Deck Audio CD Recorder

Brand : Philips | Rate : | Price :
Post Date : Dec 04, 2011 18:51:38 | N/A

Philips' CDR775BK CD recorder smashes the 0 price point for dual-disc CD decks, bringing high-speed recording and hard-wired convenience to a new level of affordability.

The deck works equally well as a recorder and as a player, thanks to its abundant hook-up options, though it doesn't muster the stellar quality from its analog outputs that you'll find in pricier CD recorders and players. (The digital outputs sound fine, however.)

The CDR775BK is equally happy receiving data from either of the two established means of digital audio transmission (optical or coaxial), and its analog inputs let you feed the recorder from external devices such as a cassette deck or a turntable--though a turntable must first be routed through a phono preamplifier, such as the phono input on a receiver.

Topping the list of cool playback features is the CDR775BK's DJ mode, which lets the two trays function independently; each "deck" offers a choice of analog or coaxial digital outputs. This means, taking the mode literally, that you can make yourself the life of a party by routing the deck's respective outputs into a DJ's mixer and letting fly with a new song just as the song from the other tray is fading out.

Alternately, you can route the outputs to separate amplifiers or receivers and enjoy simultaneous playback of different music in different rooms. Even cooler: you can program up to 99 tracks, switching between the two decks at will with no waiting during the switching (using analog or digital outputs).

You can also customize your CDs by recording at either normal or double speed from the player deck to the recorder deck. Double-speed recording can only take place during internal digital dubbing, however. CDs made from analog or external digital sources--or discs made from copies of digital recordings (see the accompanying FAQ for more details)--must be made at single speed.

All recording falls into one of five categories. In any category, the process is the same: first select the type of recording you'll be making, then hit Record--it's pretty much as simple as that.

A category called MAKE CD will digitally record the CD in the playback tray at high speed and automatically finalize the disc (that is, prepare it for use in standard CD players) upon completion, coming as close as can be to one-touch recording.

RECORD FAST is similar, but will not finalize the disc, letting you add additional tracks at normal speed or material from a different source before completing the CD. RECORD LISTEN makes a digital recording at single speed, resulting in the most faithful sounding digital reproductions. RECORD EXTERNAL DISC will commence recording upon the CDR775's sensing of a digital signal from an external digital source, while the last method, RECORD EXTERNAL MANUAL, lets you tell the recorder when to begin recording from an external source, either analog or digital.

One thing this recorder does that may be unique to Philips recorders is to cancel a recorded track altogether if you hit stop within three seconds of initiating a recording. This prevents false starts (as when you miss the beginning of a track you're recording from vinyl or cassette) by letting you stop the recording and begin the track anew; other decks will record the glitch and offer no means for erasing or skipping it later.

We found the recorder to be finicky about the brand and duration of discs used. As with all component CD recorders, you must use designated "music" or "audio" CD-Rs and CD-RWs with the CDR775BK. We got the most consistently favorable results with 74-minute Memorex audio CD-Rs, though the recorder worked fine with most 80-minute Memorex discs as well (occasional discs would record but refuse to finalize).

A headphone jack is a huge convenience, but for some reason Philips neglected to supply a volume control for it, so you're stuck with a single (to our ears) very loud output.

Other drawbacks include downright strange sound from the standard analog stereo outputs (bloated bass and tizzy treble) and the absence of a fade-in/-out button (forcing you to record from the analog inputs and perform manual fades if you want smooth transitions on cuts from live albums or if you want to squeeze a three-minute song onto the end of a disc with only 2:45 remaining).

Nevertheless, given everything the CDR775 does--and the price at which it does it--this CD recorder makes an exciting production tool for the inner DJ in all of us. --Michael Mikesell

Pros:

  • Continuous play (deck 1 to deck 2)
  • 99-track programming across both discs
  • High-quality analog-to-digital converters
  • Will cancel a mistake if recording is stopped within 3 seconds
  • High-speed dubbing
  • Headphone jack
  • Independent digital outputs

Cons:

  • No volume control for headphone jack
  • No fade-in/-out command
  • Poor sound from analog outputs

  • For use only with "audio" or "music" CD-Rs--will not work with data CD-Rs; 74-minute discs recommended over 80-minute
  • Dual-output DJ mode allows you to operate both decks simultaneously
  • High-speed (2x) and normal-speed dubbing
  • Disc title entry and storage
  • Coaxial and optical digital-audio inputs and outputs; stereo analog inputs and outputs; copies DTS- and HDCD-encoded CDs

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Monday, November 21, 2011

Preparing Your Audio Master For CD Duplication Or Replication

!±8± Preparing Your Audio Master For CD Duplication Or Replication

When setting up your CD duplication or replication project, you obviously know that you must provide the duplication house with a master copy of your CD audio to duplicate from. This should be a carefully burned copy of your final, edited and mastered audio recording. Since this master copy is going to be used as a blueprint for all your CDs, it is the most important piece of the pie. While most people think that you can take your final recording, burn a copy from your computer, and have it be done; this is not always the case. There are a few different things to take into account when preparing your master for duplication or replication. These are the things we will be discussing today in this article.

1. CD-R Media

For CD masters, you will need to use high-density, Red Book approved CD-R media. A few of the most widely accepted brands are, HHB, Mitsui, Maxell, Taiyo Yuden, and Apogee. You will want to ask your duplication house which brands they recommend, as the preferred brand of CD-R tend to vary from house to house.

2. Burn mode

Most all duplication facilities will ask that you burn your CD master in Disk-At-Once mode. This is because in the Disc-At-Once mode, there are no gaps placed in the audio data. When you burn your discs in the Track-At-Once mode, a gap of 2 seconds is added in between each song. These gaps will be read by the duplication house's machines as errors or glitches in the audio, and may cause problems during the duplication process.

3. Burn speed

The optimal burn speed for your master depends on your CD burner's drive speed. The optimal burn speed setting for your master discs will be 15 to 30 percent of your drive's maximum capacity. I.E., if your drive's max capacity is 52X, you'll want to set the burn speed for your master to be 12-16X.

4. Labeling

Most duplication houses recommend that you do not use a Sharpie to label your discs. This is because the xylene or toluene in Sharpies may damage the data you have recorded onto the discs. If you need to label your discs, it is recommended that you use either a water-based permanent felt tip marker, or label it with a sticker type label made for CD-R labeling. This will ensure that your data is not damaged and will be just as it was when you burned it to the disc.

5. Testing

Make sure that after you're done burning your CD-R, that you test it out on your home stereo. I usually test mine on a boom box, my home stereo, and my car stereo; just to be sure.

These 5 things are generally the most important factors when it comes to burning a master in preparation for CD duplication and replication. But please do not treat this article as the final authority on audio CD master preparation. You will want to contact the company who is doing your duplication and ask them about their CD master standards, as they vary from house to house. I hope this article shed a little light on the dark and mysterious subject known as preparing your audio master for disc duplication.


Preparing Your Audio Master For CD Duplication Or Replication

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